Tom Cochrane with Red Rider

Tom Cochrane with Red Rider

Upon the release of Mad Mad World 25 it looks like Tom Cochrane’s life will continue to be a Highway. He says “the road was and is like going to school.” An iconic career which started in the pubs, rough neck bars and coffeehouses of the roads and highways of first Ontario and then the rest Canada and then the world has spanned over 4 decades and is characterized by creative, adventurousness and musical and personal integrity. Commenting on some of the jobs he had early on in his life, which include cab driving, working at CIL Paints, on the loading dock at Sears and Canada Packers, crewing out on a sail boat (not a cruise ship).

“Those gigs are character builders, you pay some bills along the way with them but it’s real life also that you learn from and draw songs from.” A few years into his tenure with Red Rider they graduated to larger venues, halls, arenas and festivals stages. “The early days never leave you though, they get etched on your soul like a tattoo.” Within and without Red Rider, Tom has released 17 albums. Having helped shape the musical landscape for future generations of Canadian artists, Tom remains one of only 3 male Canadian singer songwriters to have a diamond certified album in Canada (over a million copies sold). Mad Mad World is now around 1.7 million in Canada, and at over 3 million worldwide.

Songs such as Life Is A Highway and Lunatic Fringe have been international hits and continue to garner much airplay around the world. The release of Mad Mad World 25, #MMW25, will commemorate the 25th anniversary of the release of this hallmark recording and will be accompanied by a launch at the National Music Center in Calgary and a tour in 2017. MMW25 will include a re-mastered edition of the original recordings as well as a live Westwood One performance circa 1992 from Chicago and the original demo of Life Is A Highway before it was renamed.

“We are extremely excited to play MMW25 in it’s entirety live also with some of the other songs people want to hear in the set as well of course.” – Tom says.

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